Edith worked very hard. She called her operetta “The Triumph of Flora.” The words were her own, written hurriedly and set to familiar though classic airs. Yet many of the daintiest, most tripping melodies she wrote herself. The sorrows of humanity had winged her brain and dipped her pen in harmonies, that she might assuage them.
Win Go 1 Min, A three-legged rooster appeared. And Sir Thomas Katzenstein, according to schedule, roamed his box in great agitation, though in fine form, impressively carrying out the label on his cage, “Baby Royal Bengal Tiger.”
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Win Go 1 Min “Moses,” she directed, “git an empty apple-box fer the burnt orfferin’s.”.
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